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I suck when it comes to play sevenths and not to say if there are polyrhythms on it. I tried to play it at extremely low tempos and it is driving me crazy. Thanks in advance for your help.
Here we are. I'd get very comfortable with just the first measure both R and L lead , then take it one line at a time.
I would set up the last two lines by adding a measure of straight accented 7s like the first measure up front. So, did that help you any? I also have a little question concerning the first part of the book. In the group A of compound stickings Gary gave some of the possibilities for the study Group A stickings in a four-note rhythm, but they are only in 3's, 5's and 7's, not in 4's, yet the study 12 is a four note rhythm and he gives the stickings for those in group B.
Is there any reason for that and what stickings should I apply in the study 12? I hope someone will notice this cause the thread is a bit older and I saw no need to open a new one, and It's not really a big problem, just bugs me a bit.
In study 12 there are four notes per beat, but the accents fall every 3rd, 5th, or 7th note, which does work with the group A stickings.
Duck Tape Platinum Member. Sorry to revive an old thread but does this book start with study 12 or am I missing some pages? Souljacker Silver Member. Dre25 said:. Souljacker said:. Seems you are.
The book starts with single accent patterns. Study 12 is quite a bit in. You must log in or register to reply here.
Gary Chaffee - Sticking Patterns.pdf
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