DUTILLEUX CHORAL CADENCE ET FUGATO PDF

The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute , the second for Oboe , the third for Clarinet , the fourth for Bassoon , and the fifth separated from the woodwinds by a dash is for Horn. Sometimes there are instruments in the ensemble other than those shown above. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:.

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Dutilleux 's Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent favourite at virtuoso solo competitions. Chorale, Cadenza and Fugue is ideal for trombonists seeking something more substantial and varied. Henri Dutilleux began his career as director of the Musical Illustrations Service on French Radio and Television, but he left this position after 18 years to devote himself entirely to composition.

As the title suggests, Dutilleux 's Chorale, Cadenza and Fugue is divided in to three contrasting sections, which run seamlessly from one to another. The piece begins with the Trombone playing a lyrical chorale melody, accompanied by rich Piano chords.

The cadenza is dramatic, with the intense Trombone line being played over tremolos from the Piano. This is followed by the angular and rhythmic Fugue, initially stated in the low register of the Piano. As the Trombone states the Fugue, a countermelody is introduced on the Piano.

These themes continue and augment into a virtuosic fanfare motif, closing in a grand and dramatic finish. Dutilleux 's Chorale, Cadenza and Fugue for Trombone and Piano is inspiring, challenging, motivating and essential to the repertoire of all advanced trombonists. All categories. My account. Sign In. Adding product Sheet Music.

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Dutilleux, Henri – Choral, Cadence et Fugato, Trombone and Piano

Dutilleux 's Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent favourite at virtuoso solo competitions. Chorale, Cadenza and Fugue is ideal for trombonists seeking something more substantial and varied. Henri Dutilleux began his career as director of the Musical Illustrations Service on French Radio and Television, but he left this position after 18 years to devote himself entirely to composition. As the title suggests, Dutilleux 's Chorale, Cadenza and Fugue is divided in to three contrasting sections, which run seamlessly from one to another. The piece begins with the Trombone playing a lyrical chorale melody, accompanied by rich Piano chords. The cadenza is dramatic, with the intense Trombone line being played over tremolos from the Piano. This is followed by the angular and rhythmic Fugue, initially stated in the low register of the Piano.

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